Poor Captain America. The superhero
just got thawed out of an ice block. Yet before he’s had time for
enough fish out of water shenanigans to fuel an SNL special, he’s
had to fight off an alien invasion and now a global espionage
conspiracy that may have compromised or even subverted SHIELD, his
new employer.
So instead of a fish out of water
comedy where fuddy duddy Steve Rogers struggles with modern pop
culture, The winter soldier is a thriller where freedom-loving Steve
Rogers struggles with the realities of the modern security state and
the apparatuses that sustain its existence. This part of the film is
its best thought-out and executed.
As an action film, Captain America is
an ensemble affair with the captain providing strategic and moral
leadership (and hitting the heavy punches), Scarlet Johansson’s
Black Widow performing espionage duties, and Sebastian Stan’s
“Falcon” filling in the role of tactical support. This part of
the film is competently made and entertaining, providing structure to
action setpieces.
The film is at its weakest when it
functions as a vehicle to introduce the character of the Winter
Soldier in an already-crowded film. The writers recycle the Hawkeye
solution from the 2012 Avengers movie (yes, Bucky returns as a
brainwashed heavy for the bad guys!) to diminishing returns:
heavyhanded and disjointed scenes of Steve Rogers haunted by memories
of a former comrade who may now be his greatest enemy bring an
unintended bromance factor to the proceedings that is jarring and
leads to no discernable payoff.
On the whole, The Winter Soldier is
still one of the better, more imaginative, and original films of the
MCU.
No comments:
Post a Comment