Black Butler takes extraordinary
liberties with its source material—and pulls off something most
interesting
Existing first as a manga series, then
an anime, the live-action Black Butler film is a showcase of the
human creativity that is called upon to deal with the problems that
naturally arise from making an nth generation adaptation of a
franchise. The more popular choices are all fraught with danger: a
blow by blow recreation of the story would create a most faithful
adaptation, but one devoid of surprises; an original side-story will
please the fans but pose problems of canonicity and accusations of
filler; a story set after the end of the original series would be
nothing more than an encore before the final curtain bow.
Black Butler attempts to solve the
problem by re-imagining the entire franchise. Plot-wise, it is almost
a re-tread of the “Jack the Ripper” arc of both the manga and
anime, with very much the same key plot points, twists, and
structure. Key lines of dialogue and mottos are kept intact, often
uttered as either a prelude or a punchline to long action sequences
that are directed much like those from Ghost in the Shell and
The Matrix–but with more improbable weapons that seem to be
a mainstay of this film.
Yet in changing the setting from
Victorian England (always a great period for Gothic and macabre
mysteries) to the modern world (with its preoccupation with the
theatre of terrorism), and shrinking a gargantuan cast of eccentric
characters to a tag team/odd coupling of detectives with opposing
philosophies, Black Butler becomes more than a fantasy drama with
implausible cute characters but a commentary on the modern world,
crime, and human nature.
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