Joaquin Phoenix has a meaningful
relationship with his personal computer in Spike Jonze’s scifi
arthouse take on Chobits
Part Pygmalion (if Pygmalion’s statue
turned out far more intelligent and capable than the sculptor
himself) and part otaku fantasy, Her isn’t as much a disguised
Philo 101 course in the vein of The Matrix but rather Spike Jonze’s
most accessible and sentimental film, an almost straightforward boy
meets girl, will boy lose girl love story.
Much of the film consists of mid-range
shots and close ups of Phoneix having conversations with the
disembodied voice of the OS. While not exactly a radio play, the
naturalistic performances by a very vulnerable Phoenix and his
interaction with a warm and bubbly Johanssen’s provide a necessary
emotional anchor to what might have been an alienating movie
experience. It doesn’t hurt that DOP Hoyte van Hoytema provides
hauntingly beautiful outdoor urban visuals that come close to
up-ending Emmanuel Lubezki’s work in Tree of Life.
And without you noticing, Spike Jonze’s
script skilfully moves beyond its initial science fiction premise,
past its romance genre, and ends up a humanistic meditation on the
very human traits of alienation and loneliness that create the
equally human need to reach out and be wanted, despite the very real
possibility that meaningful interaction with an Other may well be
impossible. This might well be the moment Jonze comes of age as a
filmmaker in his own right.
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