Not an ideal sequel (or even prequel). Just watch Young Detective Dee for the magic of Tsui Hark
This year’s prequel follows the formula set by the 2011 film:
Detective Dee as a kungfu fighting Sherlock Holmes solving mysteries
and crimes from the Scooby Doo catalogue amidst political intrigue
and hysteria. Instead of spontaneous human combustion, Detective Dee
starts his storied career investigating a mystery or conspiracy
involving sea monsters and lizardmen, while Carina Lau continues to
chew up scenery ominously as the Empress Wu Zetian, the female
Machiavelli who would one day declare herself sole ruler of China.
Of course, the mystery is just a sort of excuse to serve up scene
after scene, setpiece after setpiece filled with inventive imagery
and psychedelic fights. Tsui Hark’s approach to wuxia doesn’t
rest in wirefu and flying pugilists; it’s a sort of High Gothic
Wuxia where you have lizardmen kidnapping maidens, giant kaiju
smashing up entire navies, horses galloping underwater, improbable
weapons, and brawls in cloth factories, monasteries, and bordellos.
You watch Tsui Hark not for the logic, but for the sheer ecstasy and
terror he works in your brain.
You might as well. Tsui Hark’s direction and setpieces are a huge
saving grace of Young Detective Dee, which is bogged down not so much
by directorial excess but by the bland competence in terms of its new
cast and the laziness of the script. If you’ve watched Phantom
Flame and if you remember the structure of Phantom Flame, its play by
play and plot points, you’ll find yourself identifying the red
herring of the mystery and the real conspiracy in Young Detective
Dee, predicting the identity of the villains, and placing bets on how
the mystery is solved.
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