It's an espionage drama without espionage, suspense, paranoia, conflicting loyalties, or even dangerous romance. It's a film about ham radios and cryptography that doesn't understand how spy channels work or even how RADIO works.
For a genre that depends on psychological realism and a recognisable real-world, this film has several fundamental failings.
Read my full review at Fridae, first published on 15 August 2012.
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