The conceit is simple: White Vengeance is to the pre-Han what the Battle of the Red Cliffs was to the Three Kingdoms. Machiavellian politicians abound, trading political strategems with plots and counter-plots.
The premise alas doesn't sell; the script is underwritten, the characters flattened, and the audience trusted to know their history and the film's conceit to do the director's work for him.
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