Feng Xiaogang makes a rare return to biting social satires of modern China with this film.
A couple having a wacky trial cohabitation provide enough brilliant sketches skewering modern Chinese marriages and sexual politics.
There's so much swiping at China's nouveau riches and their consumerist lifestyles, you'd think Feng is a Marxist filmmaker in a capitalist society.
Read my full review at Fridae, first published on 1 February 2011.
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