Etom Egoyan returns to form with Chloe, another film showcasing the director's obsession with metafiction and metanarratives.
This time round, a successful doctor hires a call-girl to set up a series of liaisons to ensnare her husband, whom she suspects of being already unfaithful.
Ergoyan gets to play postmodern Douglas Sirk with this film, and the results make for fascinating viewing.
Read my full review on Fridae, first published on 7 July 2010.
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