Can there be a Chinese martial arts film that doesn't make an obligatory political statement about how glad everyone is to have one tyrant ruling the land?
Is there such a thing as an anti-war Chinese martial arts film?
Will Wang Leehom escape with no psychological scars from a movie's worth being bound, gagged, tied, and humiliated by Jackie Chan?
Was Werner Herzog right? Does a recession really inspire good film noir?
Will Nimrod Antal do the genre right with his East European film credentials?
Or will having too many celebrities spoil his creative control of the film?